Color me psyched. So Naughty Dog rolled out the first teaser for Uncharted 3 at the Spike Video Game Awards. While that’s pretty awesome stuff, what I’m really pumped about is this cool mini-documentary that 2 Player Productions just put out featuring some behind-the-scenes action with the Naughty Dog folks. The 2PP guys were nice enough to include a short snippet of my 8-bit music right as the credits kick in, which is super awesome. They used the title track for my e.p. The Beacon. You can still download the thing in its entirety for FREE right here. Feel like streaming it online? Hop on over here at the Free Music Archive. I’m gradually working on more 8-bit music and will be releasing more jams in the future as time permits, but I’ve been pretty busy between freelancing, working on my book Geek Beat Manifesto, and playing with my actual live (non 8-bit) band.
You can check out 2 Player Productions’ Uncharted 3 documentary over here at Joystiq.
In addition to doing some regular review work in EGMi, I’ve been writing news features for the print edition of EGM lately. This month’s issue has a massive two-page feature spread titled “Through The Lens” that I’m pretty psyched about. Located on pages 12 and 13, the piece focuses on a handful of interesting independent film makers that have created or are working on documentaries chronicling various aspects of gaming-related culture. The main piece focuses on 2 Player Productions (Reformat The Planet, Penny Arcade: The Series), the nice folks working on Indie Game: The Movie, Dan Lamoureux’s Nerdcore for Life, and the collective project that put together The Demoscene Documentary. There’s also a nod to Get Lamp, for text adventure gaming fans. Unfortunately, space limitations left a cool side-bar I wrote up (sorry Scott S.) on the cutting room floor, but that might see the light of day eventually in a separate piece.
This was a pretty busy issue all around. Beyond the feature, you can find my review write-up of And Yet It Moves (WiiWare) on pg. 76, and my second opinion to Bryan Stratton’s R.U.S.E. review is over on pg. 75. I have a few pieces headed for the next issue as well as some other stuff I’m working on for the digital edition. Awesome. Over and out.